one brief and nameless moment
zongo — hohoe, ghana © capers elizabeth
a girl, a wall, a girl, a camera.
a question expressed silently.
a shy smile to answer, yes.
one click, one moment.
and goodbye.
WHO//WHAT//WHY?
capers -- on a bicycle, in the trees, sharing foods, sharing thoughts, writing on paper, listening, understanding, making pictures, growing plants, growing ideas, channeling energy, channeling outrage, living without borders, simply, ethically, realistically, joyfully. free radical.FILL ME TO OVERFLOWING
send me your thoughts and fears. your paper and ink. your just germinating and unstoppable ideas that have no other outlet. your dreams. your reality.
capers rumph
c/o nii addotey
post office box 49
hohoe, volta region
ghanacapers.rumph@gmail.com
PAST THOUGHTS. OLD WORDS.
- May 2012 (8)
- April 2012 (1)
- February 2012 (4)
- January 2012 (6)
- December 2011 (3)
- October 2011 (3)
- September 2011 (2)
- August 2011 (2)
- July 2011 (1)
- June 2011 (1)
- May 2011 (4)
- April 2011 (3)
- March 2011 (6)
- February 2011 (2)
- January 2011 (1)
- November 2010 (3)
- October 2010 (2)
- September 2010 (4)
- August 2010 (8)
- July 2010 (1)
- June 2010 (4)
- May 2010 (7)
- April 2010 (8)
FLâNER: TO WANDER
annie dillard bodies california children civil liberties colorado congo corporate policy cycling death development east africa egypt exposé farms florence flying germany ghana global economy hiking hohoe home humanity human rights italy journeys kenya los angeles nigeria night sky oil okurase peace photos poems portrait of a della seamstress poverty revolution revolutionaries rwanda shell trees uganda wwoof deutschlandBLOGROLL
- baxter sez
- charlie chasing the rising sun
- chris blattman's blog
- democracy now
- domaphile
- falling whistles
- food freedom
- good intentions are not enough
- GOOD Magazine
- new york times — the lens
- poste de la reunion
- seed.for.life
- technology, entertainment, design
- the long now foundation
- working villages international
- wronging rights
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This is beautiful – both the photograph and your poetic, very real, words.